Whats up yall. First of all, all due respect to Mr. Snodgrass, he is a living legend. Second, id like to say, I am no art historian, just wanted to share something I happen to discover myself. Also, Im not trying to devalue Bob's discoveries, just to point out a possible source of inspiration for him. OR an instance of simultaneous discovery (though a couple decades apart). A few of you who know both artist's work might already know what Im talking about:
Yes, Fine metal fuming...
Bob Snodgrass is given credit for exclusively discovering this technique, however others in the past have done something similar. In Degenerate Art, and essential lampworking, snodgrass talks about how when he discovered fuming, he had a decision to make. Either keep it to himself and use it as an exclusive technique, or tell everyone he knew. Thankfully for all of us he chose the latter. Well a couple decades prior, Labino made the opposite choice...
Dominick Labino pretty much helped paved the way for all of us with garage studios. Him and Harvey Littleton had a dream that the individual would one day be able to blow glass on his own in a small studio. Through their work the studio glass movement was started.
--- I was having dinner with some family friends when the topic of glassblowing came up (I brought it up...). We talked about what I was currently working on which happened to be phantom flower marbles (flowers made with fuming), which reminded one of our friends about something. His parents (now in their late 80's) had actually been next door neighbors to Dominic Labino (he didnt know his name, just knew he worked with nasa developing the tiles on the space shuttle, and I knew it could only be Labino) When I mention his name, it turns out I was correct! This got me really excited (though not nearly as excited as what he told me next), he spoke of how protective of his art Labino was, and how he refused to take an apprentice, vowing to take his glass secrets with him. BUT he said in spite of this, his parents were each allowed to purchase one of his emergence forms (in his later years, he refused to sell his remaining work to even the most adamant collector.s) My friend said Labino's wife and manager shared with his parents (without Dominick's knowledge) that it was done with "gold smoke and powder". Gold smoke sounds a lot like fuming doesnt it... BUT Labino didnt share any of his techniques, so he doesn't get credit for their discovery.
An emergence form:
(these emergence forms are exceedingly rare now. Though they still command a high price when they pop up, *usually in the 2k range for a medium sized sculpture)
I cant find any of Labino's work that had silver in it, but I dont know, they all could. So Snodgrass may or may not have been the first person to do it with SILVER (edit: he was the first to do it with boro for sure, and to discover its color changing properties). But Labino's work predates bob's 10-15 years when it comes to using fuming itself...
**edit - It appears there have been many instances of fuming and similar techniques used over the centuries mankind has worked with glass. Snodgrass 100% deserves the credit he gets for his discoveries in silver fuming boro, color changing glass etc. - His contributions have been invaluable to our art an culture. What I wanted to bring to light in this thread was that metal fuming was used before snodgrass to an extent. Many took this the wrong way, and thats my fault for shitty communication.**
I hope you found that as interesting as I did. Im sure I could be wrong about some details, as well as there might be oversights and omissions, but once again I am no historian. Just a glass fan! Feel free to add in your own insights or correct me when I am wrong. Take care-DC
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